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Requiescat

Saturday, 21st November

At 9am today:

Orkney based artist Sheena Graham George presents ‘Requiescat for the Mothers in the Cillín.’

Requiescat goes in search of traces of the almost forgotten mothers who died in childbirth and were buried alongside other adults such as suicides, strangers, shipwrecked sailors, murderers and their unfortunate victims, criminals, famine victims andthose with learning disabilities in the cillíní, the un-baptised children’s burial grounds found throughout Ireland.      

This intimate sound-work weaves together voices from the local community in Dingle & Iveragh, County Kerry, field-recordings, the artists own memories and specially composed music by Anne Wood to explore memory, motherhood, birth, death and the cillín.    

 

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Days of Future Past

Friday, 20th November

At 9:30pm tonight ‘Days of Future Past’ by Leon Clowes.

First broadcast on Reel Rebels Radio on 20th April 2020, this nightmarish re-entry into creative practice is an audio sketchbook of lived trauma. There are three elements: bootleg recordings of artists that have inspired, visceral voice pieces recorded at the beginning of lockdown, and DIY four track demos of electro pop and cabaret songs written in the late 80s/early 90s. 

Leon Clowes is a queer disabled conceptual artist (www.leonclowes.com). His research-led creative practice combines sound, words, space, co-creation, autoethnography and Brechtian Verfremsdungeffekt. It is informed by research excavation of his lived trauma experiences, and exchange with other artists who also deal with trauma. Days of Future Past is broadcast with the kind permission of Queer Art Projects. The piece is currently part of the #WIPexhibition: https://qap.digital/wip/

 

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The Islands of the Strangers

Friday 20th November

At 2pm today:

Innse Gall ‘The Islands of the Strangers’ is a companion piece to the film An Dà Shealladh ‘The Two Sights’; a sound focused documentary that cinematically re-connects a disappearing oral tradition to its surroundings.

These two compositions were developed from studies made for the films soundtrack using the same elements: hydrophone and field recordings collected on the islands of Barra, Berneray, North Uist, Harris, & Lewis between 2017-19, collaged and assembled in Ithaca, New York 2017-20.

In the spirit of Glen Gould’s contrapuntal radio documentaries and Luc Ferrari’s Anecdotal Music thework explores the shifting acoustic ecology of the islands interwoven fragments of dialogue, song, and industry.

 Joshua Bonnetta (b.Canada 1979) is an artist and filmmaker working at the edges of documentary across installation, performance, and traditional cinema exhibition.

The companion film to this piece ‘The Two Sights’ is screening at the Alchemy Film Festival live with a Q & A on 17th December, and on demand between 18th and 20th December.

www.joshuabonnetta.com 

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Deep Throat

Thursday, 19th November

At 9:30pm tonight Erika Silverman presents ‘Deep Throat’.

A woman looking for a deeper connection beyond sex (bells ringing and bombs going off), which becomes a hollow search when she is repeatedly coerced into sex. A doctor’s visit sheds light on her anatomical blessing and curse. Eventually she is able to find love but still only as the object of male desire. This sound piece is a linear edit of Deep Throat without the visuals and explicit sex scenes. It is not intended to censor but to investigate the questionable storyline, the (false) autonomy of Linda Lovelace and the film’s background of rape in a ubiquitous pop culture relic.

 

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Fossilised Frequencies

Thursday, 19th November

At 7pm this evening Urban Feral presents ‘Fossilised Frequencies’ – a radio voyage into the hearts and hertz of people and land. Morphing, sculpting and warping sound to create an acoustic poem to a motherland. The content is a combination of field recordings, archival sounds and music all collected from Iraq.

Urban Feral is an Iraqi British sound artist based in Glasgow. Their work is heavily informed by Sufi theory of frequency as healing vibrations. The artist manipulates and sculpts sound as a medium into trance and mediative practice, as well as using the creative process as a diasporic exercise to reconnect with their Iraqi lineage.

 

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Five Verses on Six Sacks of Earth

Thursday, 19th November

At 4pm today Nastassja Simensky & Rebecca Lee present ‘SHERDS: Five Verses on Six Sacks of Earth.’

SHERDS is an experimental audiowork based on a six-week archaeological dig which took place at Malkin Tower Farm in Pendle, during the hot summer of 2018. Performed by an ensemble of musicians, archaeologists and vocalists, SHERDS brings together spoken word, improvisation, vibrating rocks, field recordings, live audio and new compositions to form a shifting soundscape.The programme draws on the specialisms of each of the ensemble to collapse, unearth and reassemble the rhythms and processes of archaeological excavation, changing land use, topography and her story.

Written and Produced by Rebecca Lee and Nastassja SimenskyPerformed by Alison Cooper, Bobby Cotterill, Caroline Trutz, Kelly Jayne Jones, Nastassja Simensky, Rebecca Lee, Sophie Cooper, Rebecca Atherton and Bernie Velvick. Spoken Word from Danielle Knights, Katy Soar, John Claydon, Catherine Reardon, Rick Peterson and Aidan Parker. 

http://www.rebeccalee.info/

http://www.nastassja-simensky.com

 

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Stewardship to Obsolescence

Wednesday, 18th November

At 9pm tonight Coppice present ‘Stewardship to Obsolescence and Preservation: Listening to Specimen Music through Yerkes Observatory’s Refractor and Reflector Telescopes’. 

Founded in 1892 and known as the birthplace of astrophysics, the Yerkes Observatory in Williams Bay, Wisconsin ceased operations in 2018. That year, its obsolete technologies were captured by Coppice (Noé Cuéllar & Joseph Kramer), to draw parallels between its acoustic signatures and functions and those of Coppice’s glossary of study since 2009. Highlighting the intermediary influence of recording and reproduction technologies on perception and perspective – both in limiting and enhancing ways – open-ended questions of actuality and fiction are posed for the listener, to stir the imagination of music, places, and time in flux…

 

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A Gong Chime Through Dainava Pines

Wednesday, 18th November

At 5pm today:

Chris Biddlecombe & David Trouton present ‘a gong chime through Dainava pines’

“Inheriting a collection of objects is very different from curating a collection for ourselves. The criteria for selection may not be fully known – the choices for inclusion, exclusion, similarity or difference may elude. Our perceptions of the relationships between the chosen objects may become distorted or  coloured by our own associations, experience and understanding.

When we place one such collection alongside another, relationships can occur that have the possibility of creating a new alternative curated family, or a series of cross-referencing cousins. The placing and pairing of things has its own momentum – an internal logic that is partly calculated and partly accidental.

Some years ago we inherited one half of a diverse percussion stick collection. We started by placing a set of mallets alongside another group of beaters, punctuating each with an unknown stick or head fragment. In this way we could understand how each object might work as a “hitter”, but we had to imagine what sort of resonant object could then be struck. What did these incomplete instruments really sound like?”

‘A gong chime through Dainava pines’ takes us to the beginning of this story and the first of six segments of the collection from different locations.

“Box No. 1” is a functional set of homemade instruments that bears testimony to a besieged composer’s desire to continue creating music alone, amidst a time of terrible upheaval and conflict.

The recreated sounds of these instruments take us from a solitary apartment in a Baltic town to the warm seas of Indonesia.

‘A gong chime through Dainava pines’ is a 25-minute broadcast conversation that takes a leap of imagination, picking apart the fragments of this original collector’s story and poetically restoring the artefacts to a former life through a curated combination of tape archives, contemporary field recordings and environmental simulations.

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Dyed in the Grain

Tuesday, 17th November

At 2pm today Italian sound artist Renato Rinaldi presents an audio diptych of field recording based works – ‘Dyed in the Grain’ and ‘Planta’ .

In Dyed in the Grain, all sounds are processed from recordings made during the manufacture of ceramic tiles at Florim plant in Sassuolo, Italy. Sounds come from a wide range of operations: from prime material collection to the hammering of the tile for the final test , passing through various types of presses, moulds, printers and ovens.Planta is a stereo reduction of a multichannel audio installation made to be listened in complete darkness.The piece is realised exclusively with sounds derived from the various activities and work flows that take place at the Planta quarry in Menarguens, Spain.

In Planta, the composition is based on the sounds of grains. Generally ‘grains’ are coarse particles such as sand, salt or seeds; food grains, the small, hard, fruits or the crops bearing those seeds. In Planta all the materials, as a result of a process, are in grains: stones, corn, olives, and even gold. The word ‘grain’ has a plethora of meanings and most of those, in one way or another, to me are connected with the flow of time.

https://soundcloud.com/renato-rinaldi

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Conversations

Tuesday, 17th November

At 10pm tonight US artist, Brandon Locher presents an epic 3-hour longform radio work – ‘Conversations’.

‘Conversations’ is a collection of telephone recordings consisting of one single serial chain of phone calls from each of the 50 United States. On hearing no-one at the other end of the line the initial confused answerer is recorded and then used to playback in a new call to another randomized receiver. That person’s response is then taped and played back for another confused recipient, over and over, State to State… This generative process of calling and recording residential telephone numbers began in Minnesota in 2016. Four years later it is halfway to completion with all 50 States. 

If you missed this show you can also find it on Ubuweb